Tuesday 29 July 2014

“...I'M JUST HERE FOR THE GASOLINE.”


Max (Mad Max, The Road Warrior)



"Miffed Max" doesn't have the right ring to it...


So, the trailer for Mad Max Fury Road has just been released. Have to say, looks pretty awesome. I like the reliance on actual physical effects rather than CGI (although I’m sure there will be more than a little CGI enhancement involved).

A few thoughts? Why not?


Tom Hardy is the new Mad Max. Not the worst choice, but can’t help but feel this is more about man-of-the-moment stunt casting rather than actual suitability. I remember a few years back they were kicking around the idea of Sam Worthington and Jeremy Renner, either option I feel may have been better (Worthington himself also being Australian). Still, Hardy at least never disappoints; he has acting chops, a suitably sombre scowl and makes a convincing action hero.

The villains are pretty menacing, a cross between Humongous’ marauders from the second film and the ‘bad’ tribe from Mel Gibson’s Apocalypto. Although, how they all manage to look so anemic in the desert heat I’m not sure- must have a poor diet.

On the subject of villains, Immortan Joe, one of Thunder Road’s bad guy roster (and possibly the lead villain), is played by none other than Hugh Keays-Byrne, who played lead antagonist Toecutter in the first Mad Max. Toecutter ended up under the wheels of a truck in that film’s climax, and what’s very apparent with Immortan Joe is his severe facial injuries… This is only conjecture, but is Keays-Byrne playing the same character by a new alias, or is this just a nice nod to the original franchise, a way of keeping that’s films DNA? Let’s wait and see.

Depech Mode re-imagined by H.R Giger

It’s nice to see they’ve kept the same grungy and gritty trash-can aesthetic, especially prevalent in the vehicle designs. 

We also see Charlize Theron, another ‘proper’ thesb. She’s playing the absurdly named Imperator Furiosa, who believes that she can “save the world” if only she can make it back to her home town. What she really needs is a heroic-someone to help reach her goal…

The set up would seem to have Max captured by a vicious road gang, forcibly tattooed (pause the trailer and take a peek- they’re donor details- nice touch) and strapped up onto the front of a vehicle ala’ The Road Warrior’s memorable hostages. No doubt Max witnesses some truly heinous crimes while he’s helpless to intervene, and I’m sure that gets him pretty ‘mad’.

With names such as “Immortan” and “Furiosa” it’s good the film has retained some of the bizarreness that helped make the previous movies such cult-classics. I mean, come on? “Word burgers” is a phrase that ‘Clock Work Orange’s Anthony Burgess would be proud of. In one scene, barely audible but still very much present, Humungus calls forth his “smegma crazies” and “gayboy berserkers”. That’s not forgetting  the touches of visual surealnesss, such as the tango-dancing bikers or the popping-eyes before Toecutter’s head-on collision. 


I don’t own the first 2 Mad Max films, although as a teenager I had them on VHS. I watched the second a lot more than the first as it was more of a typical action film. To refresh my memory, and relive some nostalgic moments, I Youtube’d some of the scenes. To be honest, I’m blown away by how spectacularly nasty some of it is. It’s not necessarily gory or explicit, but just really, really nasty. I doubt the new film will be anywhere near so rough-edged.

Case and point; remember the tanker chase in Mad Max 2? 

Mad Max 2's center-piece chase scene.


Firstly, one of the defenders on the tanker is hit with that grappling hook- it punctures his leg, causing the jeep that fired it to flip. His leg is then pulling the weight of the flipped jeep before finally tearing him out of his barricade, only for him to be rolled on by the blazing jeep. Ouch. And that’s one of the ‘heroes’.

The woman with the crossbow defending the top of the tanker is shot by the marauders, collapsing into the barbed wire. As if that’s not bad enough, the villains then try to reclaim her body- no doubt for some dodgy sexual practices. Her friend, the cripple, tries in vain to keep her body- only to find himself pulled from the tanker and hurled under the wheels of pursuing cars. His murderers drive away with the woman’s body, unhindered.


In the world of Mad Max, death is never glamorous. There are no brave speeches, no meaningful last glances. Death is unromantic, brutal, callous, sudden and often meaningless. I’m not sure if this is entirely to be applauded, seeing as the violence is pretty much the sole aim of these films this gives off very mixed messages (“hey kids, violence is terrible, let’s take a look at some really grim stuff”), but it makes for a nihilistic antidote to the sanitized action of most Hollywood fare. 



“They've got you wrong. You're not a coward. STUPID, maybe. But not a coward.”

The Gyro Captain



Will this new Mad Max stay true to its cold-blooded roots with an 18 / R certificate, or will it bend cap-in-hand to the alter of mainstream cinema with a top-end 15, or worse, a diluted 12a? I wait with baited breath.

But, one thing’s for sure: the trailer sets the bench-mark pretty high. Check it out:


“…And the Road Warrior... He Lives now, only in my memories.”

The Narrator

Tuesday 8 July 2014

“SCREENWRITING IS THE MOST PRIZED OF ALL THE CINEMATIC ARTS. ACTUALLY, IT ISN'T, BUT IT SHOULD BE.”

Hugh Laurie




Not that it matters but I've been trying to post this for about a week now but my connection has been appalling…



This week, now that my life has attained some small measure of stability, I've commenced screenwriting full-time. That means I have less to do with this blogging lark now. I thought “what better way to draw a line under previous posts than by talking a little about what I’ll be doing.” It’s relevant (perhaps), interesting (to some), helpful (to me) and (shouldn’t) offend anybody.

From here on, 3 or 4 days a week, 8+ hours each day (that’s full time in most jobs) I’ll be cracking on with my writing. I hope to knock out a new script every 5 weeks or so, and while I appreciate creativity is no production line, it’s probably good practice to, as most experienced writers will tell you, “keep pumping it out”. I also have a lot of ideas I’m eager to start on, cultivated from the past 15 years of brain storming.


Weeks 1 & 2; ‘Preparation’.
I’ll work on the premise of the story, and at this point I’ll also structure the plot points, work out who the characters are, and how they impact on the story. By the time I’m done I’ll know the story from start to finish, and if I can't explain my story in a simple sentence then I probably don't understand it well enough.
“I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.” 
Nick Cave
Week 3 & 4; ‘First Pass’.
Now I’ll actually sit down and write the screenplay, all in the correct format. Even if something’s wrong, or may need changing, the trick here is to press on and finish the 1st draft. It’s at this point that any large problems with the story will begin to emerge. I’ll break my back trying to keep it under 120 pages- if my writing serves neither character nor story then it shouldn’t be in the final script.
“There is nothing to writing. All you do is sit down at a typewriter and bleed.”
Ernest Hemmingway
Week 5; ‘Spit & Polish’.
This is the time I’ll spend going back over the 1st draft and fixing the big issues, as well as tweaking it in places and reworking the dialogue to achieve the best results possible. Then, on the 2nd or 3rd draft, it should be ready for sending away.
“Screenwriting is like ironing. You move forward a little bit and go back and smooth things out.”
Paul Thomas Anderson


That’s the plan anyway. Now it’s on the blog it feels pretty final. I'm hoping my first script is finished approximately 3 weeks from now.




The chance to try this is a dream-come-true for me, and I intend on giving it my all... And if I don’t succeed? Then at least I can say I gave it a damn good try, no harm done. Better to have tried and failed than to never have tried at all, right? Everyone’s got something they know, deep down, they can do well- as for me, that’s always been writing and drawing...
I’m a better writer than I am a drawer.

I'll end on this note, a quote I've lifted straight from Syd Field's book 'The Definitive Guide To Screen Writing'. Truly, this book is the Bible for any aspiring screen writer- be sure to get yourself a copy if you’re interested.

"Nothing in the world can take the place of persistence.
Talent will not; nothing is more common than unsuccessful men with talent.
Genius will not; unrewarded genius is almost a proverb.
Education will not; the world is full of educated derelicts.
Persistence and determination alone are omnipotent."

I'm nothing if not persistent...





Further reading? 'Psychology for Screenwriters', William Indick, Ph.D.