Thursday 27 December 2012

THE DIVIDE; Carlisle's Final Word.

"Ever see what happened to those poor Japanese bastards after we dropped Little Boy on Nagasaki? The skin melting off their bones. Faces like... Roadkill. Lucky ones died in the blast. And those kids in Chernobyl - Eyes and... Ears. Shit growing all over 'em. Tumors the size of grapefruits popping out of their necks."
Micky.


Script Logic; 0/2

Pace; 0/2

Acting; 2/2

Aesthetic; 1/2

Originality & Intention; 1/2

Final Score; 4/10







Final Word; A film with a terminally low opinion of humanity, whose only reason for existing seems to hammer that view home to its audience. Nothing wrong with hitting your viewers hard, but this doesn't really have anything to say. Instead, it feels more like the intentionally dour outlook of a grungy teenager who thinks he knows the fucking lot: this pretends to be a deep and damning indictment of the human condition but in reality it’s a very shallow and immature world view.
Perhaps even worse than that; it's staggeringly dull after an initially interesting set-up, and fails to tie-up any (any!) of its plot-related issues. Seriously. I'm not giving much away when I tell you the plot revolves around a group of survivers seeking shelter from nuclear fallout in the basment of an apartment block. Act one ends when a group of military-types in rad-suits invade the basment and abduct the child. Soon after, we discover the child has been dissected for what one can only assume to be some vile experiment. Do we ever find out who these people are? No. Why they took, and subsequently mutilated, the little girl? No. Is it even relevant to what follows in the next 2 hours? No. Instead, the survivors find themself sealed in the basement, whereby they all eventually surrender to violence, depravity, rape and murder.
Some interesting and naturalistic performances (especially from Michael Biehn, who's so good he's almost worth enduring the film for, but not quite) can't save this rather dull and pompous effort.

1 comment:

  1. Hey mate, I've just watched this on Netflix today and kind of agree it seems that it doesn't have a very high opinion of humanity... although, it is only three of them that are mean spirited to begin with and as situations cause the humanity of the situation to degrade, it does become a woefully believable situation.

    Not that I think that from a slowly crumbling building to military biohazard mission in a couple of days with that level of occupation and structure, is pretty far fetched. I guess the clever bit was keeping that whole business unresolved, as we don't have enough information to conclude what's actually happening.

    Overall I kind of enjoyed it (not that much) but it left me feeling cold. It wanted to be the Mist - it was not. I'm not sure if agree with 0/10 for logic.

    _-_JOE_-_

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