Saturday, 1 December 2012

SHERLOCK HOLMES; Carlisle's Final Word.

"Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely."
Sherlock Holmes.
 

 
Script Logic; 1/2
Pace; 2/2
Acting; 2/2

Aesthetic; 2/2

Originality & Intention; 2/2
Final Score; 9/10



 
Final Word;
Speaking as someone who can take-or-leave most of Guy Ritchie’s output, and is only lukewarm on Jude Law, this is adventure comedy at its very best. The chemistry between the aforementioned Law and Downey’s portrayal of the ‘great detective’ sparks with wise-cracking good humour and warmth, while the action and set pieces (while absurd) are all exciting stuff. The pace never lags, and good support is given by the beautiful Rachel McAdams and Mark Strong- on fine dastardly form as the Alistair Crowley-type mastermind behind a bizarre spree of killings. But beware, the Sherlock Holmes that your mother and father read this is not, so don’t expect any real attempt at sleuthing- in this, Ritchie’s adrenalin-fuelled reinvention, the puzzle solving is purely a means to take you from laugh to laugh and explosion to explosion. Accepted on its own good-spirited terms this is entertainment of the highest order.

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