Tuesday, 16 October 2012

INCEPTION; Carlisle's Final Word.

"You remind me of someone... a man I met in a half-remembered dream. He was possessed of some radical notions."
Saito.
 
 

Script Logic; 1/2
Pace; 2/2
Acting; 2/2
Aesthetic; 2/2
Originality & Intention; 2/2
Score; 9/10


Final Word; sacrificing any sort of explanation for its plot-central technology may sound like a bad decision on paper, but is surprisingly one of the film’s many master strokes-so instead of having to explain away such a far fetched procedure (and thus ruining the audiences suspension of disbelief, as well as cranking up the run-time) Nolan uses that time to instead build on the characters and get to the spectacle. A blockbuster with brains, balls and explosions: what more could you dream of?

1 comment:

  1. So, it's worth pointing out that a friend of mine who recently read this made a very interesting point;
    "natural human desires, loves and feelings drive the film. Greed, lust, infatuation, provocation and manipulation. I don't actually believe that the technology behind the film is central to the plot and that audiences may work on a more basic level."
    Where I agree that it's the human element that drives the story onward, and hook the audiance, I still feel without the technology then the 'plot' ceases to exist. However, I do realise that the technology is less important than the motives and relationships of the characters, it functions as a way to explore ideas.
    Like all good films (whatever genre), it's the 'human element' that involves audiances- spectacle is simply window dressing.

    ReplyDelete